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Before leaving, I imagined staff riding as a phenomenon linked to an almost sporty attitude. I realized actually that the majority of people who practice it are either very young students — boys between 10 and 15 — or unemployed guys.
The unemployment rate is very high in Katlehong, so people who having nothing to do and having always done staff riding, keep practicing it.
The sporting element is therefore virtually nil, while there is a very strong challenge to those institutions that, in some way try and reduce the phenomenon, by the police, vigilantes at the stations, etc.
Staff riding is also related to street culture. American hip hop culture, even in its gangsta version, is widespread and is taken as the reference point for all the new generations.
I therefore interpret it as a search for social compensation that leads to nothing. Within the country or the city, there are young people who have become more famous than others in this field but, in fact, have gained nothing from it.
Just during the penultimate day of my stay, two boys died while I was working. On the roof of the train, you mainly die from electrical shocks because anything you hang on is electrified with high voltage.
The interpretation I get is of an attempt of social redemption, which, unfortunately, will never come to these people.
Where do the archival materials used in this series of images come from? They come from the direct contact of my fixer, people who had guarded videos from the era of the struggle against apartheid, maps of Katlehong, Johannesburg mappings but also train tickets, newspaper articles, photographs, medical reports.
I picked up a set of elements that could be useful to strengthen the narration. I always work trying to give space to everyday scenes.
Can you detail some of these scenes of everyday life in Katlehong? In fact, arriving on the spot, you immediately get a strong religious feeling.
Since this has a major social impact, I would like to deepen this aspect during my next stay. All the young boys and girls dress up like their mothers, with fake breasts, wigs and are often made up.
They go around the stations, which are often very busy places, asking for some money and singing. In the background, you can see the streets where many fights against the apartheid regime took place.
Under my images, I put a screenshot of a video from CNN where you can see the main street in Katlehong, which is a sort of a permanent market where they mostly sell fruits or other goods for basic needs.
The idea was then to add glimpses to contextualize and at the same time broaden the perspective on staff riding.
I also wanted to give a glimpse of what goes on under the train roof — everyday scenes, people returning from work or praying, singing songs that are felt intensely, that then everybody begins to join in.
A touch of hope with this baby up to the sky — a scene that I happened to meet by chance in the street — and, immediately below, scanned, the list of persons entitled to vote.
Talking to the people I met, I felt a certain widespread disillusionment with the institutions: Do you already have a clear idea of how this project will develop?
Yes, first I want to continue bringing together elements of a different nature, to create a more complex story. In addition to photography, I plan to use video and archival material, but also data journalism elements and audio recordings that I have already started collecting during my first trip.
Later, I would like to create a web platform housing all the various chapters of the project and that, in the long term, could work as a base to finance the production of a book through crowdfunding.
I proceed that way for all my works, which thus tend toward multimedia, where there is always a part of sharing and in which the different aspects of the work e.
I believe in the power of the internet. As a photojournalist, I was born in the digital age, so I try and take all the positive aspects and exploit them to tell a story as complete as possible.
What kind of equipment did you use for this work? Having little post-production knowledge, these cameras added a huge value, thanks to the quality of their optics and their systems as a whole.
Thank you for your time, Marco! Learn more about Marco via his website , Facebook , blog , and Vimeo. Great photo in this project. Interesting how it was build.
And I like the layout idea. A really remarkable set of photographs. I called a cab, gave him money for the fare and possible medicine and sent him to the General Hospital.
I was investigated by Department of Manpower.. Alfeus was a 3rd or more, Dan Black Belt. Your email address will not be published.
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